THE POARTRY PROJECT

THE
ART
PORTFOLIO

THE ART PORTFOLIO FOCUSES ON THE POWER AND ENERGY OF VISUALS

One of the pioneering works of “energy agents of impression” – through their faculty of blending a deep, highly-trained understanding of systematic energetic science with artistic energetic perception – is to work as “energy atlasers” and “energy cartographers”, mapping the territory of the world of energy. They do this to help make the world of energy real by consciously externalizing its energetic structures, substances and universal experiences through the act of drawing them into existence as visual and experiential points of contact.

This portfolio shares such work by the creator of The Poartry Project through visual storytelling to spark the spiritual imagination and perception into energy realizations, explorations and experiences. An example of the work of energy atlasing and energy cartography, which will be a very important field in the future as the world of energy becomes more externalized and humanity further develops the faculties to see and perceive it as one of our next collective evolutionary progressions, can be found immediately below in “WHITE SANDS”.

QUICK NAVIGATION GALLERY

WHITE
SANDS

REARRANGEMENT OF ORDER

WELCOME TO EARTH MANUAL


WANDERER

BOOK ARTS PROJECTS

“WHITE SANDS”

“White Sands” offers a glimpse of the incoming field of world work and world service that is energy atlasing and energy cartography by energy agents of impression. The incarnated lives who are currently pioneering and stewarding this field are laying the foundation for current very young lives and incoming future incarnating lives and spiritual initiates to have a pointer and pathway into this field of service, which will become increasingly important and valued over the next 100 years and far into the future for generations to come. There is a significant evolutionary window opening in 2025 that will provide a potential opportunity for a wave of new world servers and spiritual initiates to incarnate along this line of impression with a purpose of translating and making the world of energy and its language of energy real. Thus, the importance and urgency of The Poartry Project to serve these lives and train the early pioneering adopters who are already here today and who are urgently needed to be outfitted and engaged in this work as a world body to help guide incoming lives and incoming humanity.

With “White Sands”, the first image is a fairly literal representation of the physical landscape and atmosphere at White Sands, New Mexico in the USA as perceived at a particular moment in time by the creator of The Poartry Project. It was created as a triptych painted on three wood panels in acrylic. The second image, also perceived, seen and externalized by the creator of The Poartry Project, is a representation in a point of time of the energetic form, structure and interplays behind that physical landscape that literally builds the outer form seen physically and gives the outer landscape its shape and atmospheres. It was created digitally using Sketchbook Pro on an iPad.

It is important to recognize in energy atlasing and energy cartography that no energy form and structure is ever fixed as the dynamic interplay of energies is constantly in motion, evolving and responding to the environing energy ecosystem – very similarly to the weather. And the perception of every energy form and structure will vary depending on the perceiver-creator’s point of evolution and spiritual progression, plane of consciousness and collaboration, condition at the moment of perception of the perceiver-creator’s various energy bodies and energy centers that form the human constitution, condition of the energy ecosystem in which the perception is taking place, and which of the “7 streams of energy” and “departments of evolutionary progression” the perceiver-creator is working with as part of their purpose in this incarnation.

White Sands, New Mexico, USA | A Physical Form and Landscape Representation

White Sands, New Mexico, USA | A Representation of the Corresponding Energetic Form and Landscape

“RE-ARRANGEMENT OF ORDER”

The Poartry Project recently participated in a map-making event. We went into it expecting to map dark sky spots to indicate excellent star viewing locations. But a story we heard on the radio on the way to the event completely changed what we ended up doing…

The map-making event occurred just as new lava flows popped up in the Leilani Estates subdivision on the Big Island of Hawaii. Listening to the radio on the drive up to the arts center where the event was taking place, we heard interviews with residents of Leilani Estates and their responses to “losing” their homes and things to the lava. Their attitude was striking: They all cited that their living on the land of Leilani Estates was borrowed from Pele, a volcano goddess in Hawaiian lore and living. On gentleman who did not expect to lose his home to lava, but did, said that he sat on the land by the lava-impacted house and “gave a blessing and received a blessing”. Photos are turning up of ritual ti leaves placed in the streets of Leilani Estates as an offering to pele.

This deep connection with the nature of the land and the sense of not “owning” the land, but rather having the gift of living on the land until the land wants it back were so strikingly beautiful in this era where much of humanity is contemplating what the proper relationship with our planet and its stewardship is that when we got to the event – still expecting to map dark sky spots – it suddenly struck that the map had to be a celebration of and memorial to Leilani Estates. The Poartry Project has visited the region several times where this lava event is happening, and we walked across the lava bed that erased two villages the last time Kilauea (and perhaps Pele) were in motion. While the local population seems to relate with the places where they live the way Tibetan Buddhist monks relate with the sand mandalas they create, it seems fitting and proper to celebrate what has been and to contemplate different energetic and esoteric perspectives on “choas” and “order”.

The base of the artwork is an artistic interpretation of a satellite map of the Big Island of Hawaii and some of its surrounding waters. There are 4 panels of additional artistically-rendered maps, which can be moved around and placed wherever the viewer would like to place them. In the photo, the bottom left panel – representing “chaos” – is a map of real-time lava flow and intensity derived from the US Geological Survey. The bottom right panel – representing “order” – is a map of the street grid and vegetation of Leilani Estates. The top right panel – representing “super-order” – is a map of the even more densely ordered street grid and vegetation of Nanawale Estates, Leilani Estates’ neighbor just to the north, separated by the Lava Tree State Monument. The top left panel – representing “supra-order” – is an artistic interpretation map of Kilauea in the form of Pele, the volcano goddess.

While most westerners in modern society would see the estate subdivisions as “order” and the lava and Kilauea as “chaos”, the local resident populations – who hail from all over the world and from different cultures – in fact see the lava, Kilauea and Pele as the natural order of things. Perhaps we can all learn something by re-arranging our maps…

Re-Arrangement of Order | Base Map and 4 Panel Maps

Re-Arrangement of Order | Base Map and 4 Panel Maps Compiled and Arranged

“WELCOME TO EARTH MANUAL: FIELD GUIDE #1 FOR NEWLY-INCARNATED CITIZENS”

This series created by The Poartry Project creator is from Part 1 of what will be an ongoing series of “field guides” to the externalizing world of energy. It was inspired by a conversation around, “Hmmm, wouldn’t it be great if each incarnating life came in with a ‘Welcome to Earth Manual’ to help them navigate what it means to be on ‘Mission Earth’ as a citizen of the world of energy?” The drawings here are accompanied by explanatory text in the actual manual, which can be found HERE at iloveenergy.org. The artwork was created primarily with various papers and pen as 3-dimensional fold-out folios that were inspired by old atlases, maps and James Audubon’s original 19th-century folio prints of animal species. The Welcome to Earth Manual: Field Guide #1 for Newly-Incarnated Citizens was submitted as a sketchbook in the 2017 Sketchbook Project. The single physical copy of it can be seen in person at The Brooklyn Art Library, which houses the over 36,000 sketchbooks submitted by people from 135+ countries.

Cover

Frontpiece I: Down the Tunnel

Frontpiece II: Out into the World

Plate I

Plate II

Plates III + IV

Plate V

Plate VI – outer

Plate VI – inner

Plate VII

Plate VIII

Plate IX

Plate X – front

Plate X – back

Plate XI

Plate XII

Plate XIII

Plate XIV

Plate XV

Plate XVI

Plate XVIII

“WANDERER”

This series of drawings created by The Poartry Project creator shares the year-long experience of traveling around North America full-time with the inspiring message of being citizens of wherever we were at the moment and doing the circulatory work of energetic stewardship, with a focus on supporting and exchanging experience with significant cities and natural areas and meeting new friends around our shared story of one humanity evolving together through the world of energy for the good of all. We embarked on these travels after releasing having a house in order to move into and embody the reality of full-time mobile world citizenship. Our little Nissan Cube was our “house”, and REI became our “home store”. We shared this story as a sketchbook through the 2015 Sketchbook Project.

Hidden Lake Gardens | Michigan

Galveston + Houston | Texas

Galveston | Texas

Austin | Texas

Picacho Peak | Arizona

Los Angeles | California

Los Angeles area | California

Santa Cruz | California

Agate Beach | Oregon

Crater Lake | Oregon

Cama Beach | Washington

North Cascades National Park | Washington

Koki Beach | Maui

Iao Valley | Maui

Mount Haleakala | Maui

Maunaloa | Moloka’i

Malibu Hills | California

Great Basin National Park | Nevada

Great Basin National Park | Nevada

Southern desert region | Utah

BOOK ARTS PROJECTS

The Poartry Project is newly embarked on studies and experiments in the field of Book Arts as a medium for creating and sharing explorations of the world of energy. We share some of our (very novice) first efforts below.

MOST RECENT PROJECT
HARDCOVER BASICS WITH ANN JOPPE-MERCURE

Adjunct Professor in Graduate Education
St. Michael’s College

Making book covers can seem daunting. On thick books, like our first adventure into coptic binding, the book cover stock needs to be hefty and requires either special cutting equipment or an expert someone with said cutting equipment to do the work for you. But with mini-books, a whole universe of more DIY book cover exploration and skills development opens. With a standard cutter, 3″ x 3″ covers can be cut successfully using slightly stiffer-than-normal cardboard.

In the September 2018 meeting of the Book Arts Guild of Vermont, we learned 3 different book cover basics, two using just glue and one stitched with a very simple stitch. For someone who seemed pretty hopeless in childhood sewing classes (as much due to lack of interest than lack of precision and patience), the bookbinding version of book making has been surprising satisfying and successful.

3 new books made in 2 hours with completely new techniques!

1st mini-book | an ‘accordian book’ – very cool! can’t figure out how to put anything on the accordian pages, though. it was a practice book, so it seems like normally, you would do your art or writings on the paper first and then attach it to the book. thinking the paper can be unglued from the back cover to experiment with creating some art and then re-attaching it.

2nd mini-book | a ‘signature book’ – this is the very simply-stitched one – just 1 stitch! – of the more traditional type of pages found in a standard book. had fun experimenting with putting some inner papers to jazz it up a little.

3rd mini-book | a ‘post-it note book’ – such another simple creative idea that’s so clever: a ‘book’ to hold post-it notes. great gift idea. got creative with inner papers to hide some technical difficulties borne of inexperience and actually really enjoyed the unexpected journey and result. highly encourage anyone wanting to get creative to explore the world of making books. you don’t need to have prior experience or expert “talent” – just a sense of play and adventure.

COPTIC BOOKBINDING WITH NANCY VANWINKLE

Nomadic Roots Studio
www.etsy.com/shop/NomadicRootsStudio

Our first formal outing into bookbinding cemented our appreciation for the Coptic approach. An advantage of Coptic methods is that a book of many pages can be crafted that is able to lie flat. The key is that pages of an entire book are sectioned into what might be considered smaller “booklets” called “Signatures”. These signatures are then stitched together between covers.

JAPANESE BOOKBINDING WITH ELISSA CAMPBELL

Blue Roof Designs
blueroofdesigns.com

In this outing, we experienced making 5 different types of books through simple Japanese binding techniques. These are wonderfully easy to create and aesthetically-pleasing, but they are not as suited to the books The Poartry Project is creating since they do not lie flat when open. We have, however, very much enjoyed sharing them as gifts.

UPCYCLED COPTIC-BOUND ARTIST JOURNAL WITH JILL ABILOCK

Book Arts Guild of Vermont
www.bookartsguildvt.com

In this outing, we learned of a creative variation of Coptic bookbinding created by Jill Abilock, Coptic bookbinding with inclusions, using upcycled library books. This is a clever way to create a small book without thread lines on the inside covers. This creates a clean book that does not transfer the dye of the binding thread onto the first and last pages of the book. It’s also a quicker process that enables adventurous use of objects as the inclusions. We used modern-style colorful paper clips as the inclusions for this project, but just about anything can be used. This type of approach is better-suited to small and light books as the binding method is generally not strong enough to support larger or thicker books with heavy covers, but this doesn’t mean than books created with this technique are not substantial. The photo immediately below is one of Jill’s books using a piece of copper metalwork from her jewelry-making practice as an inclusion. The second photo is our modest “book model” that we created in the workshop to serve as a sample to get practice with the technique and to guide future efforts.

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